The Impact of Correo de la Exposición on Art, Science, Press, and Modernization
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Abstract
The objective of this work is to demonstrate that the newspaper Correo de la Exposición
(1875), that emerged as a complement of the International Exhibition of Chile in 1875
(Exhibición Internacional de Chile), was an “aesthetic apparatus” (Déotte). The novelty
of this work lies in the discovery of the scientific and artistic discourse that deepened the
advances obtained in both subjects around 1875. The conclusions of the study indicate that
the newspaper Correo de la Exposición imposed its own exhibited rules and mechanisms
of appearance in the fine arts, becoming a relevant newspaper for the analysis of Chilean
history and artistic critique.
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