Dwellings, Travels, Lessons: Chronotope and Intensity in the “Newest” Chilean Cinema
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Abstract
This article exposes some actualizations of the bakhtinian chronotope of the road in three films of the “young Chilean cinema”. It will start by analyzing the different travelling modalities proposed by these works, based on some notions from contemporary philosophy and tourism studies. It will then identify a discrete series of chronotopical sub-motifs, authentic affective moments, that will lead to a working hypothesis, namely: the characters of the studied films move through a “smooth”, generic space, one of intensities, a milieu where what is primed is “experience”, personal growth and self-discovery.
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