Ronald Kay y Eugenio Dittborn. The image of the Pietà, the Pietà as an image
Article Sidebar
Main Article Content
Abstract
In the face of politically violent settings, how art and visuality undertake a distinctive relationship with the importance of history arises as a natural question. This article directs our attention to the texts written by the Chilean-German critic Ronald Kay in Chile in the 70s and 80s, particularly those which insistently examine the relationship among image, history, and memory. Taking the attachment held by the critic to the work of Eugenio Dittborn as a starting point, we have focused our attention on the Pietà to reflect upon the idea of an image, which, amidst sorrowful times and taking its frailty into consideration, represents loving and warm protection. Namely, it is about undertaking the question of the power of an image of art to keep what is lost, as long as it is lost, in safety.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles