Theatrical research reception, receptivity and the fantasy of the researcher
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Abstract
Assuming the role of the theatrical researcher as an spectator from a heuristic proposition, the piece problematizes the ideas of aesthetic reception and receptivity experienced in such capacity. The starting point is Jorge Dubatti’s invitation for the researcher to develop, assuming this condition, a convivially situated course of action. A beginning that, in the case of this piece, it’s also an excuse and an epistemological justification to develop wider coordinates regarding audiences and theatrical spectators.
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