Alfonso Reyes and the future’s cinema
Article Sidebar
Main Article Content
Abstract
The present paper considers placing Alfonso Reyes’s thought regarding cinema in the frame of the first cinema receptions, considering also how this reflection is joint to the Mexican’s criticism thought. Especially, they analyze the way that, through speculation, Reyes tries possible redefinitions for a new distribution of the sensitive and the arts, of the cognitive and sensitive light’s values and of the links between arts and science. What you read in Reyes is an effort for thinking new inventions forms that comes out of (or might come out of) the cinematographic art.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles