A Theorical Review (Thorough or Not) to the Discussion of the “Death of Cinema” in the Contemporary Cinema
Main Article Content
Abstract
In the current climate of the film studies, the subject about the «death of cinema» appear as a discussion with apocalyptic signs and deeply nostalgic. Something that appear to belong to only to the last decade of 20th Century –with necessary projections and relapse to the first decade of 21st century and 1980s respectively–. But, it was a discussion that convened strong views and discursive devices stylized, that tried understand processes complex about: the cinematic nature, the changes of the cultural consumption, the aesthetics and discursive transformations, the burst in of new kind of understand of the cinema, etc. In this sense, we wish to emphasize that this topic has been a reflexive motor that expanded the frontiers of the film theory itself.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles