Art, Politics and History: a case study of Eduardo Molinari
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Abstract
The following paper will address the connections between art, history and politics in the work of Argentinian artist Eduardo Molinari, from 1999 to nowadays. We will address the analysis of his artistic production and written discourse through four main ideas: art-politics, archive-document, collage-montage, and history as a space of construction. We will try to define and conceptualize the use of documents and archives in Molinari’s work. Also, we will question and delimit a series of ideas about socio-political interventions in artistic practices.
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