Livia Marin: On borrowings, appropriations and objects in Chilean Contemporary Art
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Abstract
This investigative study, in the field of Theory and Art History, aims to document and analyse selective output of Livia Marin (b.1973), a Chilean visual artist, currently based in London. She explores the esthetic-expressive promise of everyday objects, and over the past four years has also resorted to borrowing and appropriating references.
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