Melodrama, Identities and Modernity in Latin American Cinema: from Amores Perros to Sábado
Article Sidebar
Main Article Content
Abstract
This paper aims to develop heterogeneously narratives of today’s LatinAmerican cinema by using concepts such as «melodrama» and «melodramatic»; terms that can be found in some fi lms that belong to this part of the world. The essay will try to organize and update the concepts and cultural matrix of the melodramatic concept in three Latin American fi lms: «Amores Perros» (México, 2000), «Whisky» (Uruguay, 2004) and «Sábado» (Chile, 2002). In some way, these three fi lms can be conceived as three different strategies to describe the Modern experience.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles