Raúl Ruiz Through the Looking Glass: from Representation to Allegory
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Abstract
The following essay is divided into two parts entitled “From This Side” and “From the Other Side”. The main objective is to analyze the work of the Chilean fi lmmaker Raúl Ruiz, both in Chile before the coup, and in France after it, so as to see the continuities and discontinuities in his work, where aesthetics, politics, exile and the position of a Latin American subject coincide
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