Psychoanalytical Approach to Theatre Rehearsal: Some Preliminary Notes on Transference
Article Sidebar
Main Article Content
Abstract
This essay discusses the signifi cance of a psychoanalytic approach to theatre rehearsal, and supports the need of a new theoretical perspective for the actor and director’s training and work. Consequently, the essay introduces some psychoanalytical concepts to the theory of theatre as elaborated by Lacan in many of his Seminars. It also invites readers to revisit Stanislavski’s method or system, collective creation and psychodrama’s assumptions. Concepts of transference, fantasy and desire allow opening a debate on multiple political and cultural aspects during rehearsal, such as time, fi ction, truth and body.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles