The Comedy of Magic and the Visual Eff ects of the Pre-cinematography Era in the XIX Century in Chile
Article Sidebar
Main Article Content
Abstract
Through the bibliographic review of newspapers, magazines and announcements posted during the XIX Century in Santiago and other Chilean cities, it can be seen that a number of plays and some artistic groups, mainly European theater companies, used pre-cinematographic effects on stage to show how theatrical sceneries linked to live magical transformations produced by light-projected optical effects. These plays were showed throughout the whole analyzed century. Optical effects led their scenery. This genre, considered as part of the end of European baroque, had as main foundation both stage machinery and stage magic. With time, these shows disappeared from the stages since they were assimilated by the optical language of Cinema
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles