Anarchistic Drama in Chile: An Ideological Discourse?
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Abstract
This article is a revision of the cultural and historical factors that account for the reasons by which anarchism rejects ideology as a form of representing reality. As for criticism on ideology, it is clear that this concept can be seen as a specifi c type of symbolic mediation operating directly on the social sphere by means of a discourse that represents the legitimatization interests of power groups. In this research the object chosen to certify overcoming ideologism in a dramatic text is the Chilean anarchist drama, which eliminates the gap between art and life through what is known as art in context.
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