Por una historia de los anónimos
Article Sidebar
Main Article Content
Abstract
This article is a re-evaluation of the positivist models that have sustained the histories of world photography, from which Latín America has been excluded. Consequently, it is necessary to redesign new conceptual and methodological approaches that give account of our own processes conceming photography. In our continent diere are many images without authorship, many traveling photographers who were spreading tracks at random. The preservation of the memory is necessary and this is the importance of the National and Regional Archive, a place where the multiple realities that bound us to photography are arranged to build this new photographic history of Latin America.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles