Words in the Camera Obscura (about the Poetry of Augusto de Campos)
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Abstract
This essay analyzes the work of Augusto de Campos and his relationship with visual poetry. Starting from the Brazilian poet's use of the black page to compose his poems, it proposes a reading of his work in relation to the legacy of Mallarmé and his idea of writing. Subsequently, starting from the idea of the materiality of poetic language that is at the heart of Augusto de Campos’ poetic project, the passage towards a haptic dimension that occurs in his poems, especially in “Anticéu” (“Anticielo”) of 1984, is proposed.
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References
Referencias
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Brand, Gerd. Los textos fundamentales de Ludwig Wittgenstein. Alianza, 1981.
Campos, Augusto de. Lenguaviaje (Antología). Ediciones Biblioteca Nacional, 2017 (hay reediciones: Bogotá, Universidad de los Andes, Ediciones Uniandes, 2019 y Madrid, Libros de la Resistencia, 2020).
Campos, Augusto de, Décio Pignatari y Haroldo de Campos. Teoria da poesia concreta. Duas Cidades, 1975.
cummings, e. e. 10 poemas. Trad. Augusto de Campos. Ministerio de Educación y Cultura, 1960.
Derrida, Jacques. De la gramatología. Siglo XXI, 1971.
––. «Cada vez, quer dizer, e no entanto, Haroldo». Homenagem a Haroldo de Campos. PUC-SP, 1996.
Freud, Sigmund. «La pizarra mágica». Obras completas, tomo XIX. Amorrortu, 1992.
Kenner, Hugh. The Poetry of Ezra Pound. New Directions, 1952.
Mallarmé, Stéphane. Divagaciones. Pontificia Universidad Católica del Perú, 1998.
Rancière, Jacques. Mallarmé. La política de la sirena. LOM, 2015.
Smith, Daniel. «Introduction» a Gilles Deleuze, Francis Bacon: The Logic of Sensation. University of Minnesota, 2003.
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Valéry, Paul. «Le Coup de Dés». Variedad I. Losada, 1956.
Wall-Romana, Christophe. «Mallarmé’s Cinepoetics: The Poem Uncoiled by the Cinématographe, 1893–98». PMLA (Publications of The Modern Language Association of America), 2005.
Material audiovisual
«O Pulsar de Augusto de Campos con música de Caetano Veloso» en plataforma YouTube: https://www.youtube.com/watch?v=Hlgkz-g-ukc