Dislocaciones posmodernas de la ciudad y la nacion en La casa en llamas de Milagros Mata Gil
Article Sidebar
Main Article Content
Abstract
In Latin American society, the house, the city, and the nation have been the symbolizing spaces of the cohesiveness attributed to the imagined community. From a posmodern perspective filtered by the visión of one who belongs to an ethnic minority, Milagros
Mata Gil, in La casa en llamas, splinters the verticality ofsigns. This essayfocusses on displacements, dislocations, carnavalization, and the use ofheterogeneous discourses as textual strategies that break down the ideological supports ofthe house, the city, and the nation to make of these institutionalized territories, the space of pastiche, waste, and simulation.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles