Political Grieves: Cinematographic Reactions. Melancholy Resistances in Chilean Contemporary Cinema
Article Sidebar
Main Article Content
Abstract
The following text approaches the links between cinema and politics, considering the effects the second issue can produce upon the fi rst. It develops an outlook on a certain type of Chilean contemporary fi lms and the formal characteristics which gathers them, arguing that these singularities must be seen as a cinematographic response to the sociopolitical conditions the directors have experienced. The author displays the notion of “cinematographic melancholy”, and the origins of this melancholy in the present day Chile. Through its formal decisions the cinema can get closer to what isunpresentableand by means of its resources, pierce the shell of superfi ciality.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles