Scene of a Bedroom: An Unpublished Painting by Adolfo Couve and the Poetry of Meditation
Article Sidebar
Main Article Content
Abstract
This essay is a product of an investigation in the field of the theory and history of art and is concentrated on the analysis of the unpublished painting Scene of a Bedroom (c.1985-86) by the famed Chilean painter Adolfo Couve Rioseco (1940-1998). The artwork came to light in 2021, and its study not only permits engagement with problems of authorship, technique, and pictorial gestures, but also comments on the domestic spaces and familial relationships of the author. Above all, it permits a deepening of his visual affiliations; in this particular case, his interest in oils such as Rembrandt van Rijn’s “Jeremiah Lamenting the Destruction of Jerusalem” (1630), Paul Cézanne’s “Boy in a Red Waistcoat” (c.1889-90), and the still lives of Italian Giorgio Morandi, from which Couve likely constructed the thus-far unstudied painting which is submitted to scrutiny here.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles
References
Referencias
Andersen, Wayne V. «A Cézanne Drawing after Couture». Master Drawings, vol 1, nº 4, 1963, pp. 44-46; 100-101. https://www.jstor.org/stable/1552685
Campaña, Claudia. Adolfo Couve: una lección de pintura (edición revisada). Metales Pesados, 2015.
––. Adolfo Couve: imágenes inéditas. Orjikh, 2017.
Couve, Adolfo. Burchard. Editorial Universitaria, 1966.
––. La comedia del arte. Planeta, 1995.
Couve, Adolfo y Paz Balmaceda, editora. Adolfo Couve. Escritos sobre arte. Ediciones Universidad Diego Portales, 2005.
Estenssoro, Hugo. «El pincel ontológico». Letras Libres, 31 ene. 2009. https://letraslibres.com/revista-mexico/el-pincel-ontologico/
Muñoz Méndez, María Elena. «Burchard, Balmes y la historia de una taza: Un momento singular de montaje y actualidad». Revista de Humanidades, n.º 26 (julio- diciembre), 2012, pp. 159-169.
Sierra, Malú. «Adolfo Couve. En los desórdenes de junio». Revista Paula, n.º 74, 1970, pp. 18-20.
Valdés, Cecilia. «De Cézanne a Miró: un momento mágico del arte en Chile». Artes y Letras, El Mercurio, 24 jun. 2018, E8.
Warnken, Cristián. Entrevista a Adolfo Couve en La belleza de pensar, ARTV, 1997. http://www.letras.mysite.com/couve2908021.htm
Zalaquett, José . «El pintor y el mito». Una pasión predominante: crítica de artes visuales. Ed. Pablo Chiuminatto. Ediciones UC, 2018, pp. 366-367.
Textos consultados
Abramowicz, Janet. Giorgio Morandi. The Art of Silence. Yale University Press, 2005.
––. Giorgio Morandi. 1890-1964. Nothing is more Abstract Than Reality. Skira, 2008.
Budik, Sanford. «Rembrandt’s Jeremiah». Journal of the Warburg and Courtauld Institutes, nº 51, 1988, pp. 260-264.
Campaña, Claudia. Adolfo Couve: una lección de pintura. Editorial Eco, 2002.
Ferrari, Daniela et al. Morandi resonancia infinita. Catálogo Exposición Fundación MAPFRE, 2021.