DOI: https://doi.org/10.7764/ais.56

Published: 2014-12-31

Articles

Essay on the decomposition and recomposition of images, texts and sounds in Le Gai Savoir (Jean-Luc Godard, 1968)

Miguel Alfonso Bouhaben

11-26

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You have to see to believe. The art of looking and the philosophy of images

Eduardo Pellejero

27-38

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Sublimity and imagination in the combat between earth and world

an existentialist reading of the tear of art in Heidegger

Francisco Salinas

39-52

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Ad infinitum: implications of the sublime in contemporaneous times

Miguel Ángel Gaete Cáceres

53-68

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Subaltern confessions: subjectification, narrative and guilt in three Argentine and Chilean post-dictatorship novels

Macarena Areco

69-82

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Memory and Revolt in Poetry by Mapuche Women

Intimacy/Social Bond II

Gilda Luongo

83-100

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Approximations to a Total Work poetics in Juan Emar’s Umbral

Malva Vásquez, Constanza Vargas

101-119

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Archimboldi: The black hole in 2666

Felipe Ríos

121-137

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The Integrated Design Workshop (1968-1973)

A collaborative work experience in the Chilean art scene

Stella Salinero Rates, Mónica Salinero Rates

139-155

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Spaces of art and the haunting of an end

Transitivity, porosity and disappearance

Rosa Maria Droguett Abarca

157-191

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Theatrical research

reception, receptivity and the fantasy of the researcher

Patricio Rodríguez-Plaza

193-209

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Reviews

(Des)montando fábulas. El documental político de Pedro Chaskel.

De Andrea Chignoli y Catalina Donoso Pinto

Tomás Cornejo

213-216

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Desde y fuera de la jaula. Fuerzas especiales

Diamela Eltit

Loreto Montero

217-220

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Aguas

Alicia Genovese

Nadia Prado

221-226

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